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| Opernhaus Chemnitz – I Pagliacci - CANIO |
| With his vivid performance and his voice, which is powerful in all registers, the tenor Daniel Pataky brilliantly portrayed the role of Canio, singing a mightily showing off patriarch. When the choir revealed the actors their wishes, he put the power of his singing against it with his stage presence. He defended the casting in his ensemble and prepared the stage audience for the verist event. His brilliantly timbred voice gave the brutalness unrestrained emotions. |
Der Opernfreund deropernfreund.de |
| Léhar Festival Bad Ischl – Die blaue Mazur – JULIAN GRAF OLINSKI |
| The Hungarian Daniel Pataky, usually singing Bizet and Puccini in Chemnitz convinces as the slightly screwed up Julian, impressing with a perfectly trained voice, secure in the high registers and of clear timbre. The fact that he has an Hungarian accent, rather than a Polish, doesn’t matter in this farewell to the monarchy. |
Dreh Punkt Kultur drehpunktkultur.at |
| With his superb singing technique, the German-Hungarian tenor Daniel Pataky is able to handle the tessitura and the refinement of his arias ( Partially sung in Polish) beyond reproach. |
Online Merker onlinemerker.com |
| Teater Chemnitz – Louise – JULIEN |
| Julien von Daniel Pataky is an exemplary bohemian with a noble attitude, eloquence and smart empathy. Pataky came pretty close to the level of requirements of this tenor part which is similar to Massenet’s “Werther”. |
| OPRHEUS 02/2025 – Roland H. Dippel |
| Daniel Pataky’s Julien is an enchantingly and powerfully singing, picture-perfect Bohemien with a noble attitude, eloquence and a smart emphasis. |
Die deutsche Bühne die-deutsche-buehne.de |
| And then there is Julien, a Bohemian poet, overwhelmed by his own emotions - Daniel Pataky with a gently streaming gigolo tenor voice – as a representative of the anti- bourgeois alternative world. |
FAZ faz.net |
| Her lover Julien, a Parisian existentialist entirely dressed in black, was portrayed by Daniel Pataky. Although he sang with a dashing tenor voice , his portrayal was playful yet astonishingly restrained (we are looking forward to seeing him in Charpentier‘ sequel of „Louise“ in „Julien ou La vie du poète“). |
NMZ nmz.de |
| Theater Chemnitz - Die Drei Wünsche - ADOLPHE |
| ...the dashingly singing Adolphe (Daniel Pataky)... |
| Opernwelt 1/2024, Werner Kopfmüller |
| Theater Regensburg – Der Prozess - JOSEF K. |
| Just like Anthony Perkins with Orson Welles in 1962, in Regensburg Daniel Pataky in his white suit and with his bleached hair, is a John Doe who ignores the increasing threat until the end. As if he were uninvolved, he sings and plays a person, who does not know what is going on. |
| OPER! 11/2022, Klaus Kalchschmid |
…the whole is more like a declamatory recitative – the play is so to speak entirely psalmodied. I admire the excellent singers, who are able to perform for two hours beyond reproach…. Particularly outstanding was Daniel Pataky’s performance of Josef K. A brilliant, dramatically convincing appearance. How did he sing? No idea. In fact what he offered here with over 90 % stage presence (all actors) , truly deserved the applause. |
| Der Neue Merker 10/22 – Rüdiger Ehlert |
| Theater Heidelberg – I Capuleti e i Montecchi - TEBALDO |
| Daniel Pataky’s Tebaldo radiates tenoral brilliance. |
Mannheimer Morgen www.mannheimer-morgen.de |
| Theater Bielefeld - DON CARLO |
| With clear peaks Daniel Pataky easily meets the challenges of the title role and credibly plays the young man's troubles. |
OMM www.omm.de |
| Tenor Daniel Pataky gives a touching portrayal of the desperate title character. |
NW www.nw.de |
| Eutin Festival - Der Freischütz - MAX |
'...his facial play and his gestures personify Max' youth, naivety and desperation in such an impressive way, it turns his acting really into something outstanding.'
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NDR www.ndr.de |
| Bielefeld Theatre - Macbeth - MACDUFF |
| Daniel Pataky presented Macduff with quiet granduer' |
NW
www.nw.de |
| Bielefeld Theatre - Eugen Onegin - LENSKI |
| 'The best vocal impression made the tenor Daniel Pataky as Lenski. Not only with his touching Kuda, kuda but also by his metamorphosis from an enthusiast in love to a hothead boiling with rage.' |
Opernnetz
www.opernnetz.de |
| '... he succeeded in imprressing the audience, which brought him plenty of applause.' |
Operapoint
www.operapoint.com |
| 'Excellent Daniel Pataky's Lenski' |
Capriccio Kulturforum
www.capriccio-kulturforum.de |
| Bielefeld Theatre - Cosi fan tutte - FERRANDO |
| 'Daniel Pataky's Ferrando sings a rather rigid Italian, which was however compensated by his beautiful tenor voice and his secure sense of style.' |
Opernnetz
www.opernnetz.de |
| Bielefeld Theatre - Die Zauberflöte - TAMINO |
| 'Daniel Pataky sings Tamino with lyrical sensitivity.' |
Opernnetz
www.opernnetz.de |
| 'Daniel Pataky performs a brilliant tenor part, sensibely, with delicate melodiousness, rarely showing off.' |
NW
www.nw.de |
| Bielefeld Theatre - Madama Butterfly - PINKERTON |
| 'Pinkerton (Daniel Pataky with enchanting belcanto glaze) ...' |
NW
www.nw.de |
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