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BIOGRAPHY |
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Appointed as PRINCIPAL GUEST CONDUCTOR at the Mainz Opera in 2020, Daniel Montané is sought after for both his vast experience and sensitivity at the operatic podium. Having achieved a conducted repertoire of around 60 titles, he has been guest at first range Opera Houses and Festivals, such as the Dresden Semperopera, Gran Teatre del Liceu, the Peralada Festival and La Coruña Festival in Spain, the Nuremburg State Opera, the Kassel National Theatre, the Mannheim National Theatre, Opera House Lübeck, the Bolshoi Theatre Minsk or Thessaloniki’s „Megaron“, Opéra de Toulon or Cape Town Opera.
His new productions during the season 2023/24 have been CARMEN and LE VILLI & I PAGLIACCI, ending with his celebrated interpretation of DER ROSENKAVALIER in Mainz. He has also been invited to conduct the new production of MANON LESCAUT at the Teatro Cervantes in Málaga, where he earned once again the applause from the audience and the critics.
Other recent productions include LA TRAVIATA, SIMON BOCCANEGRA, MANON LESCAUT, NABUCCO, ADRIANA LECOUVREUR, DIE FLEDERMAUS, COSÌ FAN TUTTE or THE RAKE’S PROGRESS at the Gran Teatre del Liceu in Barcelona and at the Mainz State Theatre.
Born in Barcelona, Daniel studied Composition and Conducting at the Graz University of Arts and graduated with „cum laude” in 2003. Immediately he became Music Assistant at the „Gran Teatre del Liceu “ and that same year was awarded the First Price of the „Competition for Young Conductors “, Orquesta Ciudad de Granada.
Since making his opera debut in 2004 with „Les Contes d’Hoffmann“ at the Chemnitz Opera, where he conducted the Robert Schumann Philharmonics , Daniel Montané immediately was invited to the above mentioned Opera Houses and regularly conducted renowned orchestras such as the Bremen Philharmonics, the German Radio Philharmonic Orchestra Saarbrücken, the Nuremburg Philharmonics, the Philharmonic Orchestra Altenburg-Gera, the Thessaloniki Symphony Orchestra, the Orquesta Sinfónica de Galicia, the Orchestra Sinfonica della Fondazione Tito Schipa and many others.
Daniel Montané has performed several Gala Concerts and worked with first range singers such as Matti Salminen, Carlos Álvarez, Deborah Polaski, Sonia Ganassi, Sondra Radvanovsky or Fiorenza Cedolins.
Between 2007 and 2012 Montané was First Conductor at the Bremen Opera House. Especially worth mentioning are his successes with LE GRAND MACABRE, RIENZI in his new production with Katherina Wagner, DER FLIEGENDER HOLLÄNDER, NABUCCO, MAOMETTO II, NORMA, TURANDOT, MADAMA BUTTERFLY, TOSCA, AIDA, LA CENERENTOLA, MAZZEPPA and EUGEN ONEGIN or TURN OF THE SCREW, among many others.
From 2013 to 2015 he was Principal Conductor at the Theatre Ulm. Among his premieres with the with the Ulm Philharmonic Orchester we highlight DER ROSENKAVALIER, MEDÉE, OTELLO or PETER GRIMES, as well as his many Symphonic Concerts.
Moreover, in the coming years he made his debut with the renowned Bruckner Orchestra in Linz, became a permanent guest at the Bolshoi Theatre in Minsk, conducted gala concerts in Sotchi or a symphony concert at the Gasteig in Munich. Daniel Montané regularly performed at the Gran Teatre del Liceu, Barcelona, where he could be seen with RIGOLETTO, WERTHER, MANON LESCAUT, MADAMA BUTTERFLY or LUCIA DE LAMERMOOR. He also appeared with BARBIERE DI SIVIGLIA at the Lübeck Opera House, with DON PASQUALE at the Opera of Cape Town or RIGOLETTO at the Opéra de Toulon.
Parallel to his operatic activity, he appears regularly at the podium of symphonic concerts: some highlights included a Mozart evening with the prestigious Pianist Robert Levin, the 5. Symphony Sibelius, 1. Symphony Shostakovich, Music for strings, percussion and celesta by Bártok, other El sombrero de tres picos by Falla.
Future projects include DER ROSEKAVALIER at the State Opera Mainz as well as a Gala Concert at the Grand Teatre del Liceu and his debut at the Teatro Real in Madrid.
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REVIEWS |
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Teatro Cervantes de Malaga – MANON LESCAUT |
A high class final of the 35th season of the Teatro Cervantes de Malaga with “Manon Lescaut”, Puccini’s first huge success in a production with the conductor Daniel Montané in the pit and a staging by Pier Francesco Maestrini. On the musical level Puccini’s abundant, sensual and emotional orchestration was a matter of course both for the Orquestra Filarmonica de Malaga and the soloists of the ensemble, under the brilliant musical direction of Daniel Montané. |
SUR
diariosur.es |
Staatstheater Mainz – COSÌ FAN TUTTE |
Which made the only capital in this production accumulate and experience Mozart’s music in its entire reality, behind the direction construction. This phenomenal mixture of rebuking chatter, sharp almost bellicistic diction and transcendent emphasis in its highest sublimity. Perfectly realized by the Mainz Philharmonic State Orchestra under the musical direction of Daniel Montané. |
Frankfurter Rundschau
www.fr.de |
Already during the overture, which was played so fluently , flexibly and precisely by the Mainz Philharmonic State Orchestra under the musical direction of Montané, that it was a joy to listen to, the cynic Don Alfonso appears... effortlessly the conductor Dirigent Montané keeps the ensemble scenes in balance, at the same time compactly controlling them. |
Frankfurter Rundschau
www.fr.de |
At the desk of the Mainz Philharmonic State Orchestra Daniel Montané ensured a passionate listening impression... |
Kulturfreak
www.kulturfreak.de |
Staatstheater Mainz – The Rake’s Progress |
Under Daniel Montané's sensitive conducting, all the singers and the Mainz Philharmonic State Orchestra articulate Stravinsky's conversations in a multifaceted manner, full of abysmal duplicity and thus in the end counteract the mobile of the event, “ with idle hands, hearts and minds, the devil finds work that to do”. |
Deutschlandfunk
www.deutschlandfunk.de |
The fact that the production is not entirely insignificant is mainly due to its musical interpretation. A decidedly disciplined orchestra levelled down to the finest nuances by Daniel Montané, and the grandiose ensemble of singers weigh heavily on the credit side. |
Frankfurter Allgemeine
www.faz.net |
In the interpretation of the state orchestra and the opera chorus the effect is extremely lively, catchy in the allusions and exposed in the parts of those sharpened interval moves that repeatedly lends bite and tension to the game of languages. Conductor of the evening was Daniel Montané, who knew how to combine both aspects of music. He had a vocal team at his disposal that left nothing to be desired.. |
Frankfurter Rundschau
www.fr.de |
Staatstheater Mainz - DIE FLEDERMAUS – Oktober 2020 |
“Stuck in the jolly prison. State theater plays Johann Strauss's "Fledermaus" – with distance.
Distances also apply in the orchestra pit. The reduced instrumentation by Derek Clark comes over nice and slim but still sonorous. Daniel Montané conducts with great empathy, which results in truely great musical enjoyment, especially in the soloist ensembles.” |
Dietrich Stern, Allgemeine Zeitung
www.allgemeine-zeitung.de |
SYMPHONY CONCERT - Philharmonic State Orchestra Mainz - October 2020 |
“When fire meets cold.
Musical enjoyment in the tent - 2nd symphony concert by the Philharmonic State Orchestra Mainz
The musical direction was in hands of the new first conductor of the State Orchestra Daniel Montané.
As opening work the overture for orchestra by the Polish composer Grazyna Bacewicz (1909-1969) was played; … /… Under Montané, the Philharmonic State Orchestra Mainz conveyed the temperament and meditative power of this high-contrast music, written in a state of emergency.
The soloist in Ludwig van Beethoven's second piano concerto was Montané's compatriot Daniel Blanch… /… In the rondo, the orchestra under Montané played gracefully pulsating, mysterious hints shimmered through the joyful movement; the performers showed how deeply Beethoven is rooted in the past and how far he shines into the future.
In Antonín Dvorák's Symphony No. 7, the orchestra under Montané unfolded a tremendous volume of sound, fire and cold clash. The second movement, entitled “Poco adagio”, began in a luxurious and delicate manner, powerfully crowned by the winds.
Tremulously the Vivace relaxed unfolded: Dance-like exuberance and melancholy were evoked , bangs rang through the hall. The orchestra played the finale with its dizzying swings in a stormy manner." |
Manuel Wanda, Allgemeine Zeitung
www.allgemeine-zeitung.de |
Staatstheater Mainz – MANON LESCAUT |
Right from the start this veritable Puccini sound pleased the audience. The outstanding Spanish conductor Daniel Montané is “to blame” for it. In 2002 he had his opera debut with “The Tales of Hoffmann”, followed by numerous guest performances. He has already conducted concerts with the Bruckner Orchestra Linz, the German Radio Philharmonic Orchestra and is also invited to the Dresden Semper Opera. He regularly returns to the Grand Teatre del Liceu Barcelona, lately with Macbeth‘, ‚Rigoletto‘, ‚Werther‘, Madama Butterfly‘ and ‚Manon Lescaut‘. |
Der neue Merker 03/2020, Volker Funk |
The portrayal of the characters is truly outstanding and perfectly clings to the sensibly interpreted score of the Mainz Philharmonic State Orchestra under the general direction of Daniel Montané. |
NMZ
www.nmz.de |
Outstanding the musical direction of Daniel Montané, who realizes every facet of the Puccinian composition arsenal, creating wonderful phrases and upturns optimally adjusted to the singers, with the brilliantly disposed und smoothly playing Philharmonic State Orchestra. Without any sign of sponginess or blaring. |
Frankfurter Rundschau
www.fr.de |
With its rich orchestral colors and contrasts, Puccini`s opera “Manon Lescaut” with which he established his worldwide fame in 1893, focusses on pure emotions as human vital impetus. Therefore, the musical director Daniel Montané takes it as self-evident that in spite of the modern staging and thanks to Puccini’s music , the customary familiarity with this renowned opera material remains. According to Montané, in his third opera “Manon Lescaut” Puccini has found the key to portray the world as it is, captured in opera rhythm. |
Allgemeine Zeitung
www.allgemeine-zeitung.de |
Staatstheater Mainz – SIMONA BOCCANEGRA |
Under Daniel Montané the orchestra proved to have a pithy grasp on Verdi’s eloquent, rapidly fluctuating, condensing language, which definitively needs a distinctive shimmering of the fatalistic dark registers. |
Gerhard R. Koch – Opernwelt 5/2019 |
Together with the Mainz Philharmonic State Orchestra, Daniel Montané keeps increasing the drama, always in a singer-friendly manner. Everywhere the advancement and the precious colorfulness of the score shines through. |
theater:pur
www.theaterpur.net |
Also in the orchestra pit of the Mainz State Theatre the sea plays along. In the prelude to the 1st act , the conductor Daniel Montané makes the sea mood glimmer impressionistically… after this dramatically captivating Interpretation, passionately impelled by Daniel Montané. |
Allgemeine Zeitung
www.allgemeine-zeitung.de |
Opéra de Toulon - RIGOLETTO |
As to the Catalanan conductor Daniel Montané: he inspires the Toulon Opera Orchestra to power and energy and brings them in top form. The score’s nuances and modulations are perfectly expressed: implacable in the ouverture, rhythmically panting with Rigoletto in the 3rd act and unleashed in the tempest of the 2nd act.
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Emmanuel Ansrieu, Opera Online www.opera-online.com |
The desk the conductor Daniel Montané. His direction is true precision work: accurately he alternates between the tempi, from vivid to slow. This was a refreshing, melodious performance , slightly diminishing the bleak visual aspect. Daniel Montané follows the singers with great attention. In the “tempest” the orchestra slightly set of and the final duet of Gilda and Rigoletto was played with a lot of emotion. An orchestra truly worth hearing with a beautiful tone. When the curtain fell, there was long-lasting applause for this season-opening performance, which entirely convinced a continually increasing audience.
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GB Opera www.gbopera.it |
The direction of the cductor Daniel Montané is impressing. The curse is accompanied by such a booming orchestra, the audience has the impression the sound barrier is being broken. Later however, as the beautiful soprano Mihaela Marcu (Gilda) declares her love for the duke in the aria “Caro Nome”, the spectators are moved to tears.
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Var-matin www.varmatin.com |
Attentively Daniel Montané supports the singers …. He elicits beautiful sounds from the brass – e.g. in the ouverture - and the strings at the beginning of the arias (« Cortigiani, vil razza dannata ») are extremely touching. Everything in a concise tempo, remarkably played by the musicians. The audience, which effaced itself during the performance, rewarded the conductor at the end of the performance with a truly warm applause.
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Olyrix www.olyrix.com |
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