Mezzo-Soprano
Lana Maletić

Reviews
On Stage


  BIOGRAPHY  

 

In 2025, the young mezzo-soprano made her debut at the Deutsche Oper Berlin in the title role of OCTOPUS LADY, a family opera by Sidney Corbett.

Previously, she had appeared as PAGE in Richard Strauss's “Salome” at the Stuttgart State Opera under the musical direction of Tomás Hanus in a production by Kirill Serebrennikov.

From the 2026/27 season, she will be a member of the Ulm Theatre ensemble and will play roles such as DORABELLA in “Cosi fan tutte” and OLGA in “Eugene Onegin”.

The artist has already sung the title role of ANGELINA in Rossini's “La Cenerentola” at the Rossini Festival Bad Wildbad, DORABELLA in Mozart's “Così fan tutte”,PRINCE ORLOFSKY in Johann Strauss' “Die Fledermaus” and MÈRE MARIE in Poulenc's “Dialogues des Carmélites” at the Wilhelma Theater Stuttgart, DIDO in Purcell's “Dido et Aeneas” at the Stuttgart Concert Hall, and at the Croatian National Opera in Zagreb, Dorabella in Mozart's “Così fan tutte” and the KITCHEN BOY in Dvořák's “Rusalka”. As SMERALDINA in Prokofiev's “The Love for Three Oranges”, she delighted audiences at the Isny ​​Opera Festival, the Wilhelma Theater Stuttgart, and in Munich.

In 2025 Lana completed her studies at the Academy for Music and Performing Art Stuttgart. Before, she had obtained her Bachelor in Singing at the Academy of Music in Zagreb ( in the class of Dunja Vejzovic) and her Bachelor at the Vienna University of Music and Performing Art.

The singer was a finalist in the International Musica Sacra Competition in Rome and won the First Prize at the Lazar Jovanovic International Competition in Belgrade.

She attended masterclasses with Lotte Lehmann at the Perleberg Academy, at the Oper oder Spree Music Festival at the Beeskow Castle.



 
 
REVIEWS
 
Wilhelmina Theater Stuttgart – Les Dialogues des Carmelites – MÈRE MARIE
Lana Maletić's Mère Marie is breathtaking: multifaceted, energetic, demanding – wonderful!
Der Opernfreund
www.deropernfreund.de
The charismatic mezzo-soprano Lana Maletic shines as the authority-critical Mère Marie.
Stuttgarter Zeitung
www.stuttgarter-zeitung.de
Wilhelmina Theater Stuttgart – Salome – PAGE
Lana Maletic was a pleasantly intoning page.
Der Opernfreund
www.deropernfreund.de
Lana Maletić, as the page, added subtle touches to the proceedings.
Wochenblatt Reporter
www.wochenblatt-reporter.de
Wilhelmina Theater Stuttgart – Cosi fan tutte – DORABELLA
Lana Maletic as Dorabella – a mezzo with a pleasantly rounded vocal timbre, balanced registers, lyrically grounded, yet already showing signs of being ready for more challenging tasks.
Online Merker
www.onlinemerker.com
Lana Maletic is brilliant in her outburst of despair in the recitative and aria “Smanie implacabili”.
Theaterkompass
www.theaterkompass.de
Wilhelmina Theater Stuttgart – Die Fledermaus – PRINZ ORLOFSKY
Orlofsky’s couplet with the refrain “’s ist mal bei mit so Sitte” shows shimmering tonal colors in Lana Maletic’s performance.
Online Merker
www.onlinemerker.com
 
 
ON STAGE
Wilhelmina Theater Stuttgart - Les Dialogues des Carmelites – MÈRE MARIE
© Wolf Silver
 
Deutsche Oper Berlin – OCTOPUS LADY
© Nancy Jesse
 
Wilhelmina Theater Stuttgart- Die Flederrtmaus – PRINZ ORLOFSKY
© Christoph Kalscheuer