Bass
Don Lee

Reviews
On Stage


  BIOGRAPHY  

 

In the 2026/27 season, Don Lee will make his debut at the Finnish National Opera as RAMPHIS in “Aida” and at the Polish National Opera in Salome.

In the summer of 2026, he successfully performed the role of BANCO in “Macbeth” at the Heidenheim Festival.

Further guest appearances have taken him to the Győr Philharmonic Orchestra as HUNDING in “Die Walküre”; to the Hanover State Opera as SPARAFUCILE; to the Frankfurt Opera and the Saarbrücken State Theatre as PADRE GUARDIANO and the MARCHESE DI CALATRAVA in “La forza del destino”; to the Anhalt Theatre in Dessau as the COMMENDATORE in “Don Giovanni”; to the Freiburg Theatre as the GRAND INQUISITOR in “Don Carlo” and to the Daegu Opera House as TIMUR in “Turandot*.

He works with renowned conductors and producers such as Dan Ettinger, Yoel Gamzou, Martin Rajna, Francesco Angelico, Claus Guth, Andreas Baesler, Brigitte Fassbaender.

In the SEASON 2025/26 he performed at the Karlsruhe State Theatre as the COMMENDATORE in “Don Giovanni”, COLLINE in “La bohème”, GREMIN in “Eugene Onegin”, and SPARAFUCILE in “Rigoletto”.

From 2022 to 2025, he was a member of the ensemble at the Kassel State Theatre ensemble, where he performed roles such as HUNDING and FAFNER in “Der Ring des Nibelungen”, PADRE GUARDIANO in “La forza del destino”, the HERMIT in “Der Freischütz”, the COMMENDATORE in “Don Giovanni”, DIKOJ in “Káťja Kabanová”, and FIESCO in “Simon Boccanegra”.

From 2018 to 2022, he held a permanent engagement at the Anhalt Theatre Dessau, where he enjoyed success in roles such as SPARAFUCILE in “Rigoletto”, DON BASILIO in “Il barbiere di Siviglia”, the HERMIT in “Der Freischütz”, ZACCARIA in a concert performance of “Nabucco”, LUCIFER in “Čert a Káča”, GERONTE in “Manon Lescaut”, and RENÉ in “Iolanta”.

The Korean bass studied singing in Seoul and at the University of Music and Performing Arts in Stuttgart. During his studies, he performed roles including Sarastro in *The Magic Flute* in Seoul, as well as Gremin in *Eugene Onegin*—the latter in a production with the Philharmonie Konstanz at the Wilhelma Theater in Stuttgart. From 2009 to 2010, Don Lee was a member of the opera studio at the Stuttgart State Opera.

His first engagements included such roles as DON BASILIO in “Il barbiere di Siviglia” at the Thuringian Summer Festival in Sondershausen, as CECCO DEL VECCHIO in Wagner’s “Rienzi” at the Meiningen State Theatre , as BOTTOM in Britten’s “A Midsummer Night’s Dream” at the Trier Theatre and as KING HENRY in “Lohengrin” and the COMMENDATORE in “Don Giovanni” at the Ulm Theatre.

In 2011, Don won both the Promotional Prize and the Audience Award at the International Singing Competition in Passau and reached the final round of the "New Voices" International Singing Competition. In 2016, he was a finalist in the "Marcello Giordani" International Opera Singing Competition in Noto.

 

 
 
REVIEWS
 
The Finnish National Opera and Ballet – Aida - RAMPHIS
"More convincing were Don Lee as the warlike Ramfis and Tuomas Pursio as Amonasro, …"
Suomen Kuvalehti (SK) / PDF
PDF
The two most successful singers were Don Lee’s gripping Ramfis, black in timbre, dramatically menacing, and Emilia Rukavina as Amneris.
bachtrack
bachtrack.com
Opernfestspiele Heidenheim – Macbeth - BANCO
Don Lee portrays Banco with great bass dignity.
Opernwelt 09/10 2026 Alexander Dick und Peter Krause
Don Lee sang a powerful Banco with his distinctive, resonant bass.
Online Merker
onlinemerker.com
With his voluminous bass Don Lee lends great authority to the figure of Banco; in his tailcoat, he appears as a successful rival to the celebrated opera star Macbeth.
Oper!
oper-magazin.de
As Banco, Don Lee sings with a profound, dark bass voice that radiates immense calm—something that further unsettles Macbeth and convinces him that Banco must be eliminated as a rival.
Online Music Magazine – Thomas Molke
www.omm.de
Don Lee’s Banco—a moral counterpoint to Macbeth—reveals a rich, full-bodied bass voice without any artificial vibrato. Lee sings with great ease and magnificent vocal material, effortlessly filling the hall.
O-Ton Online – Jutta Schwegler
He is accompanied by his fellow warrior Banco—who here takes on the role of conductor at the piano—outstandingly portrayed with a powerful, dark bass voice by Don Lee.
SWR – Bernd Künzig
www.swr.de
His rival, Banco, comes across as more assured. Don Lee gives him warm tones.
Deutsche Bühne – Manfred Jahnke
www.die-deutsche-buehne.de
Macbeth’s victims and adversaries—Banco (Don Lee), Macduff (Esteban), and Malcolm (Santiago Bürgi)—also shine in their respective roles.
Heidenheimer Zeitung – Theodor Hölzle
18 July 2026
Don Lee portrays Banco with a powerful, dignified bass presence.
Concerti – Peter Krause
www.concerti.de
Staatstheater Kassel – Don Giovanni – KOMTUR
...appropriately ressounding: Don Lee.
NMZ
nmz.de
Don Lee is the darkly ressounding commander.
Concerti
concerti.de
Staatstheater Kassel – Carmen - ZUNIGA
Don Lee is a Zuniga with plenty of bass power...
HNA
www.hna.de
Among the protagonists in the ensemble Don Lee as Zuniga,... succeeded in distinguishing themselves.
Concerti
www.concerti.de
Staatstheater Kassel – La Forza del Destino – PATER GUARDIANO / MARCHESECALATRAVA
Don Lee as Father Calatrava and Padre Guardiano radiates a mild glimmer…
NMZ
www.nmz.de
Theater Dessau – Der Barbier von Sevilla – DON BASILIO
Truly magnificent is the South Korean Don Lee as Don Basilio. His irresistible, extremely popular calumny aria „La calunnia è un venticello“ really hits like an audible cannonball.
NMZ
www.nmz.de
Theater Dessau – Der Freischütz – EREMIT
Particularly worth mentioning is the Hermit portrayed by the South Korean born Don Lee. He impresses with his powerful, beautiful bass voice. One would love to see him in other roles. An outstanding performance!
Der Opernfreund
www.deropernfreund.de
Theater Dessau – Manon Lescaut - GERONTE
Ensemble member Don Lee as Geronte however leaves no desires unfilled. He convinces with his strong bass voice and his theatrical talent.
Der Opernfreund
www.deropernfreund.de
Theater Dessau – Hoffmanns Erzählungen – LUTHER/CRESPEL
Don Lee portrays the roles of Luther and Crespel with a flexible, melodious baritone voice.
Der Opernfreund
www.deropernfreund.de
Theater Dessau – Katja und der Teufel - LUZIFER
Don Lee gives the main devil profile with his powerful bass voice, ...
Der Opernfreund
www.deropernfreund.de
Theater Trier - A Midsummer Night’s Dream - ZETTEL
In all details Don Lee perfectly presented the charm of Zettel, troubled by being changed into a donky!
Online Merker
www.onlinemerker.com
 
 
ON STAGE
The Finnish National Opera and Ballet - Aida - RAMPHIS
© Emma Suominen
 
Opernfestspiele Heidenheim – Macbeth - BANCO
© O. Vogel
 
Staatstheater Kassel – Don Giovanni – KOMTUR
 
Staatstheater Kassel – Don Giovanni – KOMTUR