|
Badische Staatstheater Karlsruhe - Cavalleria Rusticana/ I Pagliacci – TURIDDU /CANIO |
"Milen Bozhkov plays both Turiddu and Canio. His tenor voice is clear, powerful, passionate and expressive. Before, I had read his voice would remind of Enrico Caruso. “Such an exaggeration!” I thought. But I was wrong. It definitively is true. Not only the aria from Pagliacci „Recitar! Mentre preso dal delirio“ brings you to your knees because of its beauty. But this one in partucular. The other spectators thought so too. There was tumultuous jubilation, which I joined this time. His acting talent is remarkable, he impressively performed both roles." |
Klassik begeistert klassik-begeistert.de |
"Milen Bozkhov as Turridu and Canio. With his fabulous tenor voice he reminds of Enrico Caruso, the legendary interpreter of these parts." |
SWR swr.de |
Landestheater Salzburg - Aida - RADAMES |
"Milen Bozhkov, condemned to wear an accountant’s outfit, is a highly solid Radamès with reserves and acting skills." |
Merkur merkur.de |
"As the evening progressed Radamès – Milen Bozhkov gained presence and tenoral brilliance." |
DrehPunktKultur drehpunktkultur.at |
Opéra de Metz – Rusalka - PRINZ |
"Tenor Milen Bozhkov makes proof of sovereign self-restraint in his entire singing line and phrasing intervals. His brilliant, airy timbre reflects his status as a young prince. One can feel his energy as he adjusts the dramatic content of the text and the situation between his love for Rusalka and his desire for the foreign princess, with just interactions." |
Olyrix olyrix.com |
Theater Krefeld -Madama Butterfly – PINKERTON |
"With Milen Bozhkov, who scores with his bright tenor voice, the role of B. F. Pinkerton was also perfectly casted Milen." |
Der Opernfreund deropernfreund.de |
"Bulgarian Milen Bozhkov portrays the slightly egocentric Pinkerton, singing with a room filling, robust heldentenor voice, never lowering it even in the gentle moments of – hereby marking his claim." |
Theater Krefeld theater-kr-mg.de |
"Milen Bozhkov as Pinkerton is an equal partner." |
Theater Krefeld theater-kr-mg.de |
Theater Ulm – I PAGLIACCI - CANIO |
"Milen Bozhkov as Canio, characterized by a high crime level and vocal energy." |
Orpheus 02/2023 Rüdiger Heinze |
"Milen Bozhkov in the title part sings the famous „Smile, Bajazzo“ with a dashing crape,..." |
NMZ nmz.de |
"Milen Bozhkov superbly sings the role of Canio, with a metallic voice in the necessary mercilessness. A tenor of international ranking." |
Ulmer Kulturspiegel |
Landestheater Coburg – Carmen – DON JOSE |
"Once again just brilliant was Milen Bozhkov as Don Jose: effortlessly, he masters the challenge of this extremely demanding part, letting shine every facet of his perfectly guided tenor voice." |
inSüdthüringen.de insuedthueringen.de |
Bayreuther Gasstspiel – Norma – POLLIONE |
"Even the villain Pollione, the military an sexually occupier of the Gaelic oppressed, is beautifully sung by Milen Bozhkov." |
Der Opernfreund deropernfreund.de |
Theater Hagen - Cardilac - OFFIZIER |
"Milen Bozhkov sovereignly masters the hairy tenor part of the officer,..." |
Die Deutsche Bühne die-deutsche-buehne.de |
Theater Hagen – Rusalka – PRINZ |
"Milen Bozhkov was a prince, who strongly developed in the course of the evening, showing a veritable hairy a truly outstanding performance…" |
Opernmagazin opernmagazin.de |
Theater Hagen – Cardillac - OFFIZIER |
"I am also completely thrilled by Milen Bozkhov’s vocal force, his endless power and his brilliant heights in the role of the officer. His impressive performance of the highly demanding part, can hardly be topped." |
Der Opernfreund www.deropernfreund.de |
|