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BIOGRAPHY |
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The young mezzo soprano Marie Seidler as Fatime
Never missed an opportunity to shine vocally...
(Giessener Allgemeine,
www.giessener-allgemeine.de)
the German newspaper Gießener Allgemeine wrote on her debut as FATIME in Weber's 'Oberon' under the musical direction of Maestro Michael Hofstetter –a production that was released on CD under the label Oehms Classics.
In 2020 she made her successful debut as SESTO in the new production 'Titus' at the Kaiserslautern Theatre.
Recently, she succeeded as ARSAMENE in ‘Xerxes’ at the Schleswig Holstein Theatre , SESTO in a new production of ‘Titus’ at the Kaiserlautern Theatre and in the title part in Händel’s OTTONE at the Händel Festival Göttingen.
In the season 2022/23 she returns as TESTO in ‘Il Combattimento’ and as SISER/INTERVIEWER in ‘Through his teeth’ (Luke Bedford) to the Kaiserlautern Theatre.
In the season 2019/20 she portrayed FJODOR in ‘Boris Godunov’ at the Mainz State Theatre and returned as CHERUBINO to the Giessen Theatre.
At the Frankfurt Opera she made her acclaimed debut as CARMEN in a version for children and at the Frankfurt University of Music and Performing Arts, she debuted as CIESCA in 'Gianni Schicchi'. In Wagner's 'Die Meistersinger von Nürnberg' at the Mainz State Theatre she sang an apprentice.
In summer 2019 Marie Seidler made her debut in the title role of Händel’s ‘OTTONE, re di Germania’ at the Festwochen der Alten Musik Innsbruck.
From 2016 to 2019 she was a member of the t the Gießen Theatre ensemble and portrayed such roles as CHERUBINO, DORABELLA, DRYADE, OLGA, ANNIO, FLORA and BOSTANA in Cornelius' ‘Der Barbier von Bagdad’ or the GOOSE GIRL in Humperdinck’s ‘Königskinder’.
At the Opera Frankfurt she made her successful debut as CARMEN in a version for children and at the HfMdK Frankfurt she debuted as CIESCA in ‘Gianni Schicchi’. In Wagner’s ‘Die Meistersinger zu Nürnberg’ at the Mainz State Theatre, she was an apprentice.
In summer 2015 Marie Seidler completed her singing studies in Frankfurt am Main with Hedwig Fassbender. She absolved master classes with Malcolm Martineau, Brigitte Fassbaender, Julius Drake, Helmut Deutsch, Angelika Kirchschlager, Christoph Prégardien and Ingeborg Danz. She was a finalist in the Emmerich SmolaContest, scholarshipholder of the Heidelberg Spring, and of the Richard-Wagner-Assocciation Heidelberg. She also was awarded the Trude-Eipperle-Rieger Prize.
Marie Seidler made her opera debut in 2012 at the Aachen Theatre in the title role of Maurice Ravel's L'ENFANT ET LES SORTILÈGES. She gave concerts in Oxford and at the Händel Festival in London, where she participated at Lady Solti's on the occasion of Sir George Solti's 100 anniversary. Other Liederabende took her to the Schubertìada in Barcelona, the international Hugo-Wolf-Akademy Stuttgart and the German embassies in Paris and in Warsaw.
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| REVIEWS |
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| Pfalztheater Kaiserslautern – Titus - SEXTUS |
| Especially worth mentioning here are above all Marie Seidler as Sextus and D.K. as Titus. The first-mentioned portrayed the trousers role with a clear, powerful and smooth mezzo soprano voice; I would definitively like to hear more from her. |
| Das Opernglas 12 / 20 K.Scharffenberger |
| Stadttheater Giessen –Le Nozze di Figaro– CHERUBINO |
| But the vocal star oft he eveningg was Marie Seidler, who sings a passionate Cherubino with her fresh mezzo soprano voice. |
Der Opernfreund
www.deropernfreund.de |
| Stadttheater Giessen – Alp Arslan – MUTTER |
| Also the smaller parts were perfectly performed. Especially Marie Seidler as Mother. |
Giessener Anzeiger
www.giessener-anzeiger.de |
| Also the young mezzo soprano and Alp’s Mother, Marie Seidler, presents a sonorous vocal range of two and a half octaves with tremendous depth... |
Der Opernfreund
www.deropernfreund.de |
| Marie Seidler as his Mother Bent Yaghisiyan declares with a crystal-clear timbre and subtle emphasis, why she was incapable of loving him or his father. |
Frankfurter Rundschau
www.fr.de |
| Stadttheater Giessen – Der Barbier von Bagdad – BOSTANA |
| …like Marie Seidler as Bostanawith her warm mezzo voice. |
OMM
www.omm.de |
| Stadttheater Giessen –Ein Herbstmanöver – TREZKA |
| The probabely most beautiful voice of all belongs to MARIE SEIDLER, who with mezzo timbre and an attractive stage appearance grant the general’s daughter Trezka some interesting aspects. |
Online Merker
www.onlinemerker.de |
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| ON STAGE |
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Pfalztheater Kaiserslautern - Il Combattimento di Tancredi e Clorinda - TESTO
Photo: Pfalztheater Kaiserslautern |
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Stadttheater Giessen – Cosi fan tutte – DORABELLA
Photo: Rolf K. Wegst |
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Stadttheater Giessen – Ein Herbstmanöver – TRESZKA
Photo: Rolf K. Wegst |
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Stadttheater Giessen – Ein Herbstmanöver – TRESZKA
Photo: Rolf K. Wegst |
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Stadttheater Giessen – Ein Herbstmanöver – TRESZKA
Photo: Rolf K. Wegst |
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Stadttheater Giessen – BABBEL
Photo: Rolf K. Wegst |
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Stadttheater Giessen – Im weisen Rössel – JOSEPHA VOGLHUBER
Photo: Rolf K. Wegst |
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Stadttheater Giessen – La Ressurezzione – CLEOFE
Photo: Rolf K. Wegst |
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Stadttheater Giessen Le Nozze di Figaro – CHERUBINO
Photo: Rolf K. Wegst |
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