Beatriz DÍAZ  Soprano


The Spanish soprano’s international career was launched in 2009 since she was invited by Riccardo Muti both to sing Paisiello’s Missa Defunctorum at the Salzburg Festival, the Maggio Musicale Fiorentino or Ravenna and to embody the role of DIANA of Iphigénie in Aulide at the Opera of Rome. Since, she has been a guest artist of the Salzburg Festival, Opera di Roma, La Fenice in Venezia, Carlo Felice de Genova, Massimo de Palermo, Comunale de Bologna and Modena, Châtelet de Paris and Colón de Buenos Aires, while in her home country she has appeared at the Teatro Real de Madrid, ABAO de Bilbao, Teatro de la Maestranza de Sevilla, Teatro de la Zaruzuela de Madrid, Teatro Campoamor de Oviedo, Perez Galdós de Las Palmas or at the Carlos V Palace in Granada. She has also participated in several concerts in Saint-Jean-Cap-Ferrat, Doha, Rabat or Tokyo, among other cities.

In these theatres Beatriz has appeared as DESPINA, MUSETTA, NANETTA in “Falstaff”, MENICA in Martin y Soler’s “Il Tutore burlato”, LIU in “Turandot”, JULIET in Britten’s “The Little Sweep”, MICAELA in “Carmen”, LAURETTA in “Gianni Schicchi”, OSCAR in “Un ballo in maschera”, NORINA in “Don Pasquale”, ADINA in “L’elisir d’amore” or LENIO in “Greek Passion”.

The Spanish singer is also a sought-after Zarzuela singer: with roles such as ANTONELLI (dúo de la Africana), MARTHA (La luna de miel del Cairo), CRISTETA (Clementina), AMOR (El imposible mayor en amor, le vence amor), OLIVIA (El sueño de una noche de veran), AMOR (Viento, es la dicha de amor) or PRINCESA OLGA (La Generala), the Spanish soprano has appeared in venues such as Teatro de la Zarzuela, Teatro Arriaga, Théâtre Chatelet, Oviedo Opera or Auditorio de Granada.

As a concert singer we shall highlight her collaboration with La Fura dels Baus in their production of Carmina Burana in tour in Spain, Macedonia or Taiwan. Last year she was chosen to sing Rossini’s Stabat Mater in the concert before the Ceremony of the prestigious Premios Princesa de Asturias, with the King of Spain.

Beatriz Díaz studied with Elena Pérez Herrero in Spain and later with Mirella Freni, Montserrat Caballé, Elena Obraztsova and Mady Mesplé. In 2007 she was the First Price of the International Competition Francisco Viñas, being also awarded in the same competition with five other special Prizes. She also wan other singing competitions, such as the «First Berliner International Music Competition», the Ciudad de Logroño singing competition as well as the contests Julián Gayarre and Fundación Guerrero.

Recently she has appeared at ADINA at the Oviedo Opera, DESPINA at the Teatro Cervantes in Málaga, MARTHA in Luna de Miel en el Cairo at Teatro Arriaga Bilbao or with CARMINA BURANA in Barcelona with la Fura dels Baus. This summer she has made a successful debut as LIU at the Gut Immling Festival, Germany.


Musikfestival Gut Immling- Turandot – LIÚ
The role of the slave Liu, who later dies for Calaf, was wonderfully sung with an incomparably intense, soft soprano voice by the Spanish Beatriz Diaz, who received for her interpretation the greatest applause of the evening.
Berchtesgadener Anzeiger
And also Beatriz Díaz as the suffering slave Liú, touches eith beautiful piani.
BR Klassik
… the slave Liú, sung with marvellous piani by Beatriz Díaz. With a pure, melodious soprano voice she confesses her love to Calaf, touching the audience both with her play and her voice. Beatriz Diaz turns Liú’s suicide in order to give Calaf free for his big love , princess Turandot, into another touching highlight of the evening.
Teatro Cervantes Malaga - Fidelio - MARZELLINE
This Fidelio had a first class cast , of which the soprano Beatriz Díaz was particularly outstanding as Marzelline, approaching this difficult composition with a well-adjusted, effective and splendid interpretation. She also is a superb actress, shining as the perfect arche-type of Marzelline, both fragile and courageous, culminating in her emotional outburst Nichts, mein Florestan!, which was absolutely brilliant.
Málaga hoy
The Marzelline of Beatriz Díaz, who was a great Despina two years ago, also became a warm welcome. The Asturian sang the character with a voice more lyrical than light, particularly bright in the high registers and with excellent dramatic skills. She used each appearance to draw full attention, especially in the initial duet and the wonderful quartet that followed.
Also back at the Cervantes Theatre was the Asturian soprano Beatriz Díaz as Marzelline, daughter of Rocco. …/… in this German debut role the Asturian artist proved as usual to be just perfect in everything: a voice full of nuances with sufficient projection, even in the spoken parts, also in the bass register she maintained impeccable heights. Besides, her stage presence filled each of her appearances (impeccable the second scene with Rocco)…
Pablo Siana
Teatro Cervantes Malaga – Cosi fan tutte - DESPINA
His companion in the intrigues was the Asturian Beatriz Díaz, who apparently enjoyed her play, which perfectly suits the role of Despina and has the ideal voice for the character.
Teatro La Fenice – La Bohème - MUSETTA
The artist, who already knew great success as Adina in La Fenice, presented a superb interpretation of the sensual Musetta.
Teatro Campoamor de Oviedo– l’elisire d’amore – ADINA
Really admirable was Beatriz Díaz. Here is a very talented soprano, who inspite her youth, has already made in interesting career- let’s not forget she has won the Francisco Viñas Singing Competition with an overwhelming majority and she was chosen by Riccardo Muti himself. .. She has a beautiful, absolutely lyrical, rich and agreeable voice. Her Adina was a real jewel. Díaz performed the role as if she intended to show her entire repertoire of vocal possibilities. The Asturian soprano triumphed in Campoamor in a magnificent leading role.
Musikfestival Gut Immling- Turandot – LIÚ