Tania LORENZO  Soprano


In autumn 2022 Tania Lorenzo can be seen in the world premiere of “Chasing Waterfalls” at the Semperoper Dresden . From 2017 until 2019 Tania Lorenzo was a member of the young ensemble here. In Dresden the young soprano enjoyed successes in such roles as the SHEPHERD in “Tannhäuser”, FRASQUITA in “Carmen”, PAPAGENA in “Die Zauberflöte”, the SANDMAN and the DEWMAN in “Hänsel und Gretel”, in the leading role SUSI in the world premiere of the opera “Das Rätsel der gestohlenen Stimmen” , the 1st VIRGIN in “Moses und Aron”, JESSI in “Rise and Fall of the City of Mahagonny” AMOUR in “PLatée”. ESMERALDA in “The Bartered Bride”, the MILLINER in “Der Rosenkavalier”, the SPIRIT in “Dido and Aeneas”, just to name a few.

Tania started her musical studies in her native country Gran Canaria with Eva Juárez and completed them at the Berlin University of Arts with Carola Höhn. Here, she inspired with her interpretation of BABETTE in the baroque production “I teatro alla moda” by I Confidenti and as MADAME SILBERKLANG in “Der Schauspieldirektor”. Tania was supported by the Mapfre Guanarteme Foundation and Jugend Musiziert Madrid.
She absolved master classes with a.o. María Orán, Brigitte Fassbaender, Nauzet Mederos, Hendrik Heilmann, John Norris, Marina León, Sonia Prina, Gerd Uecker, Deborah Polaski, Thomas Thomaschke, Michael Gehrke and Christiane Libor.

The singer is the winner of numerous prizes in Singing Competitions such as the 1st Prize of the International Singing Competition Villa de Teror ( 2020), the Zarzuela Prize of Certamen de Nuevas Voces de Sevilla (2019), the 1st Prize of the International Contest Un Futuro DEARTE (2016), the Special Prize of the Jury at the IV. Valleseco Zarzuela Competition (2016) and the 2nd Prize of the María Orán Contest (2015).

Tania Lorenzo is a regular guest at the International Bach Festival on the Canary Islands. With members of the Orquesta Filarmónica de Gran Canaria and the Concertgebouw-Orchestra she performed works such as Pegolesi’s “Stabat Mater”, and Bach’s “Magnificat”. She sang Pergolesi’s “Magnificat” and the world premiere of José Brit’s “Requiem”, Heitor Villa-Lobos’ Bachianas No. 5, which she also sang at the Semperoper Dresden with the cellist of the Dresden Staatskapelle. At the Varna International Summer Music Festival she could be heard with Bach’s Cantata nº 199 and Songs by Piazolla.

Tania performs with such renowned conductors as Marcela Garrón, Pierangelo Pelucchi, Zdzislaw Tytlak, Asher Fish, Alejo Pérez, Miquel Ortega, Felix Krieger, Omer Meir Wellber, Paul Agnew, Danielle Callegari, Antonio Fogliani and directors such as Rolando Villazón, Isabel Hindersin, Peter Konwitschny, Uwe Laufenberg, Achim Freyer, David Mättheus Zurbuchen, Calixto Bieito, Tom Quaas and Alfonso Romero.

Moreover, engagements brought her to the Robert Schumann-Haus Zwickau, the Teatro Cuyás, the Otoño Musical Soriano, the Daegu Opera House, the Musikgebouw Amsterdam, the Auditorio Alfredo Kraus Barcelona, the Bad Elster Theatre, the Gabinete Literario, the Teatro Pérez Galdós, the Auditorio Adán Martín and the Schinkenhalle Potsdam.

The artist portrayed “GIRL in Trouble in Tahiti” at the Opera de Las Palmas Gran Canaria and NELLA in “Gianni Schicchi”. Here,the only 28 year old Spanish also made her successful debut as GIANETTA in “L’elisire d’amore”.

In the season 2021/2022 Tania Lorenzo made her debut as SUSANNA in “Le nozze di Figaro”, BELLEZZA in Händel’s “Il Trionfo” and LUCIA in “The Rape of Lucretia” at the Opera House Lucerne. Here, she will also sing SOPHIE in “Der Rosenkavalier” and MORGANA in “Alcina”.


Semperoper Dresden - Chasing Waterfall - KIND
...and the child discovering through play (Tania Lorenzo); vocally all up to the demanding score.
Semperoper Dresden - Das Rätsel der gestohlene Stimme – SUSI
With Tania Lorenzo of the young Semperoper ensemble (vocally first class)...
Musikalische Blätter
Theater Luzern – The Rape of Lukretia - LUCIA
Among the soloists – apart from the four splendidly casted leading parts – Tania Lorenzo’s lively Lucia is vocally and dramatically particularly noticeable.
Jürgen Otten – Opernwelt 5/22
Next to Lucretia her wet nurse Bianca (Marcela Rahal) and her servant Lucia (Tania Lorenzo) also make a fine duo. Lorenzo doesn’t only play the servant very lively. Her brightly shining and extremely flexible soprano voice, excellently goes with Rahal’s dark voice - the duets just get under your skin.
Theater Luzern - Le Nozze di Figaro - SUSANNA
Tania Lorenzo is a Susanna, as its creator might have imagined her: determined, gripping and simply adorable.
Online Merker
His number one girl, the chamber maid Susanna, enchantingly sung and performed by Tania Lorenzo, is a lively, vivacious pretty lady, who can also hit and hiss when she needs to defend her rights.
Innerschweiz Online
Muziekgebouw Amsterdam – Dido and Aeneas - BELINDA
The performance mainly depends on Dido's intimate Belinda, the splendidly clear singing Tania Lorenzo.
Musically, this production deserves a gold medal anyway. The singing and musicianship are of a high level. Not only…. but also the soloist cast with the soprano Tania Lorenzo.
Ópera Las Palmas - L'elisir d'amore – GIANNETTA
There was a very young cast, almost all in their twenties, who vocally and scenically performed their roles without any problems, bringing a naturalness and freshness not always within the reach of more veteran singers. [...] The Canarian Tania Lorenzo was an impeccable Giannetta.
Ritmo, Juan Francisco Román Rodríguez
Tania Lorenzo, a young local voice, was equally successful in all aspects.
Ópera actual, Cayetano Sánchez
Festival Internacional de Música de Canarias - Réquiem, Fauré
The "Requiem" of peace and resurrection. The beautiful voice and sensitivity of the Canarian soprano Tania Lorenzo shone through.
La Provincia, Guillermo García Alcalde
The Requiem was enhanced by the successful participation of the soloists. Tania Lorenzo admirably resolved the Pie Jesu.
Diario Avisos, Zenaido Hernández
Semperoper Dresden - Carmen - FRASQUITA
Even the two minor characters of Frasquita (Tania Lorenzo) and Mercedes (Stepanka Pucalkova) definitely stole the show from him. They have only short entrances, but they made the most of them. Both gave a very solid, very strong performance and contributed a great part to the success of the evening.
Operagazet, Gabi Eder
Semperoper Dresden- Die verkaufte Braut - ESMERALDA
Folk rhythms and changing times ina German version of Smetana's Bartered Bride Duped by Marie and laughed at by everyone, he at least finds a possible future with the delightfully sparky Esmeralda of Tania Lorenzo.
Bachtrack, John Johnston
Semperoper Dresden – Platée - AMOUR
Hell ride of a transvestite. We were able to experience an enchanting Amor by the soprano of the Young Ensemble Tania Lorenzo.
IOCO, Thomas Thielemann
Semperoper Dresden- Tannhäuser - HIRTE
Alongside the first-class Wagner singers previously mentioned, Tania Lorenzo, her soprano voice clear and bell-like, made a strong impression in the smaller role of young shepherd.
Opera Journal, Václav Bečvář
Semperoper Dresden- Carmen - FRASQUITA
Tania Lorenzo as Frasquita and Grace Durham as Mercédès filled their roles with life, both vocally and with their natural play.
Online Merker
Semperoper Dresden - Das Rätsel der gestohlenen Stimmen
Voices must not be stolen [...] But if you have an opera to be published with a ten-year-old girl as the main character, then it is an absolute stroke of luck to have a young ensemble with a singer-actress like the Spanish singer Tania Lorenzo at your disposal. She does indeed look girlish, but has such an enchanting soprano that this part seems to be written all over her body and throat. On top of that she can smile winningly. [...]
NMZ online, Michael Ernst
Auditorio Alfredo Kraus- STABAT MATER
Praise and Deploration of Christ. The soprano Tania Lorenzo in an exhausting tour de force but faced with courage, intensity and canonic means.
La Provincia, Guillermo García Alcalde
Magnificat, Bach | Auditorio Alfredo Kraus –Magnificat/Bach
Praise and Deploration of Christ. The presentation of the soprano Tania Lorenzo is impeccable in volume, vocal quality and expressive style.
La Provincia, Guillermo García Alcalde
Theater Luzern – Die Hochzeit des Figaro – SUSANNA
Opera Las Palmas – L‘elisire d’amore - GIANNETTA
Semperoper Dresden - Rätsel der gestohlenen Stimmen – SUSI

Photographer: Klaus Gigga
Semperoper Dresden –Platée – AMOUR

Photographer: Ludwig Olah
Semperoper Dresden - Tannhäuser- HIRTE

Photographer: Klaus Gigga
Teratro Pérez Galdos – Trouble in Tahiti – GIRL

Photographer: Nacho Ganzalez
Teratro Pérez Galdos - Gianni Schicci - NELLA

Photographer: Nacho Ganzalez
Teatro Ingenio - Candelaria - CANDELARIA